11 Bealtaine 2010

Keats and Chapman 4

A fishy business



Captain Horatio Hill RN, retired, was a popular member of the gentleman's club in which Chapman was an habitué. The captain could and, whenever he was given half a chance, did boast of his family's long and almost unbroken tradition of naval service since 1758, the year in which young Herbert Hill, third son of a Devon squire, was taken up by a press gang as he emerged from a house of ill-repute in Portsmouth.

Herbert's true identity was not established until after his return from a voyage to the West Indies, by which time he had become enamoured with the seafaring life and procured himself a place as a midshipman. Remaining in the service after peace returned, the first of the naval Hills served with distinction throughout the sadly mismanaged campaign to restore constitutional government in the revolted American colonies, before losing his head to a French ball in the Chesapeake Bay action of 1781. Herbert's son, Hamilton, rose to command a ship of the line in the Napoleonic war and laid the basis for his family's eminence by using his prize money to build Trafalgar Hall, the country seat where Horatio Hill still lived for a few months each year.

After a promising start, Horatio Hill's own naval career come to a premature end when he was observed in the company of a fellow officer's wife in circumstances that were capable of being misconstrued by those of a prurient disposition. The captain's prompt resignation from the service preserved the reputations of all concerned and his subsequent trading on the stock market prospered to such an extent that he was shortly enabled to design and construct a ten-berth yacht, the Victory, which he normally moored in the Bahamas and on which he frequently invited friends and acquaintances to join him for short cruises.

In due course, an invitation to holiday on the Victory was extended to Chapman, whose relationship with the captain was cordial rather than close. While the classicist would eagerly have accepted such an invitation had a cruise been proposed for the Aegean rather than the Caribbean, he inclined to the view that one palm tree is very much like another and pleaded a prior commitment to holiday with his friend Keats when declining the sailor's invitation. Hill responded by including the poet in his invitation. Four weeks of torrential rain and a further offer of free air-tickets to Nassau accomplished the rest and the literary friends joined the captain, his daughter Harriet, and a crew of three on board the Victory.

The contrast between Keats's and Chapman's behaviour afloat could not have been more marked: while the latter passed the time reading in a deck chair, a jug of iced water at his elbow and a parasol carefully adjusted to afford maximum protection from the ultraviolet rays, Keats entered enthusiastically into the holiday spirit: he stripped to his bathing trunks, consumed prodigious quantities of alcohol, loudly declaimed poetry composed by himself and others, and regularly dived overboard. The cause of the poet's unusual behaviour quickly became apparent to his friend: Keats was deeply smitten by the charms of Miss Harriet Hill - he drank rum and lime in her company, played quoits with her, and displayed his prowess as a swimmer only when she was on deck to observe.

As the Victory rode at anchor on the third day of the cruise, Keats was languidly performing the backstroke some ten yards adrift of the yacht's stern while engaging in a vapid conversation with Miss Hill, who was leaning over the rail at the yacht's stern, her arm hooked around the flag staff for support. Two crew members had gone ashore for provisions and the third was washing dishes in the galley. Captain Hill lay snoring on a sun bed and Chapman, who had been working on a critical essay on the Satires of Juvenal, was himself drifting in and out of sleep in his deck chair.

Suddenly he was jolted back to wakefulness by Harriet's hysterical screams. Rushing to the girl's side, he immediately saw the cause of her alarm: the dorsal fin of a shark was moving towards Keats in a zigzag fashion. Already alert to the danger, the poet was swimming as fast as he could towards a rope ladder which hung amidships on the port side of the yacht but it was all too evident that he had little chance of reaching it before the shark overtook him. Chapman was rooted to the spot as he tried to absorb the horrifying implications of the scene before before his eyes.

'Forget the bally ladder!' roared Horatio Hill, who had suddenly appeared between his daughter and Chapman, 'get over here and we'll haul you in!'

Keats obeyed the captain's instructions, but even as he altered course the shark abandoned its zigzag approach and bore down directly on its human prey with terrifying speed. The poet reached the stern of the yacht a few yards ahead of the shark and flung his arms in the air in what seemed like a last despairing gesture. Instantly, Chapman and the captain grabbed an arm each and pulled the imperilled swimmer upwards and inwards with all their strength. Keats hung suspended in mid-air for a brief eternity and a loud thud was heard as the shark collided with the hull inches below his feet, then the poet's centre of gravity crossed the mid-point of the railing and he fell head-first onto the deck of the Victory.

'By Jove, that was a bit too close for comfort!' exclaimed the captain after a few moments.

'Idiots!' hissed Keats angrily as he rubbed his forehead, 'you blithering idiots! What on earth did you think you were playing at?'

'Steady on old boy,' said Chapman, convinced that his friend was suffering from the effects of shock or concussion: 'that shark would have had your legs for lunch if we hadn't fished you out.'

'Nonsense! You've just ruined everything' moaned the poet, his face a picture of frustration and disappointment. 'Together, you snatched the feet from the Jaws of Victory!'

10 Bealtaine 2010

Erse verse 4

Anam dochloíte


I nduibheagán doimhin na hoíche,
an dorchadas ar gach taobh,
gabhaim buíochas ó mo chroíse
don té a bhronn orm anam tréan.

Pé rud a tharla dom sa saol,
deor ná geoin níor bhain sé asam:
má síneadh mé le buille géar,
sheasas suas gan mórán achair.

Lastall de ghleann seo an chaointe
tá scáth uafar báis is daortha,
ach ag druidim le críoch m'aoise
táim go teann, gan ualach scéine.

Is dá dhaoire é an dua
nó dá chruaidhe iad mo dhála,
is mé máistir mo chiniúna:
is mé ceannasaí m'anama.

[After the Insular Saxon of W.E. Henley.]

08 Bealtaine 2010

Erse verse 3

Meán Fómhair 1913



Cad tá uaibh is sibh in inmhe
ach carnadh pinginí bréana
lena gcur i gcófraí taisce,
agus guí le Dia gan staonadh,
go mbeidh an cnámh gan deoir smeara?
Tá an tsaint i páirt le naofacht
is Éire na laoch gan oidhre
curtha fá leac leis an Laoghaireach.

Níorbh amhlaidh don aicme eile
a thuill meas na n-óg le héachta,
scaip a gcáil ar fud na cruinne
ach gearradh go luath a laetha -
dream a mhair fá scáil na croiche
gan beannú sagart ná séada.
Tá Éire na laoch gan oidhre,
curtha fá leac leis an Laoghaireach.

Chuaigh géanna fiáine ar eite
thar sáile i bhfad i gcéin uainn,
dhoirt na tréanfhir a gcuid fola -
ár gceann airm an tiarna Éadbhard,
Emmet óg is Tone na gaoise,
cad ab fhiú an phian go léir sin?
Tá Éire na laoch gan oidhre,
curtha fá leac leis an Laoghaireach.

Is dá bhfillfidís abhaile,
fir a d'éag ar son na hÉireann
gan chomhluadar is i laige,
déarfaí: "táid meallta ag céibheann
a chuir a n-intinn ar mire".
Ba chuma leo bás nó saoradh
ach táid ar shlí na fírinne,
curtha fá leac leis an Laoghaireach.

[After the Ingweonic of W.B. Yeats.]

Keats and Chapman 3

An obscure portal


Feeling himself in need of a stiff mid-morning drink, Chapman stepped into the gentleman's club of which he was a long-standing member. As he made his way, glass in hand, towards an armchair next to a window in the smokers' lounge he was surprised to see Keats slumped in an adjacent chair, a vacant but somewhat harassed expression on his countenance.

'Keats old boy! Good to see you! It's not often we have the pleasure of your company' said Chapman warmly – the younger poet had agreed, at Chapman's urging, to join the club some years before but he generally preferred the quiet of his study to the convivial surroundings of the club and rarely visited it.

'I have been hunted from house and home' replied Keats glumly.

'Good heavens! What happened? Do tell me everything' urged Chapman.

'It's my nephew Mervyn. He's coming up to college in October and my sister felt it would be a good idea for him to spend a month or two in town before then, to familiarise himself with the city and so on. He can't take rooms in college until term begins and, since I live alone in a four-bedroom house, I could hardly refuse to put him up ...'

'I can guess the rest', said Chapman, 'I dare say he plays the gramophone at all hours of the day and night, holds interminable conversations on the telephone, rolls home in a state of inebriation in the small hours – his rowdy friends blowing their car horns as they drop him off ...'

'No, no, nothing of the sort. Quite the opposite in fact. Young Mervyn is a model of industry and application and has hardly gone out since he arrived a month ago. He spends all his time making improvements about the house. It began innocently enough: first he mowed the lawn and trimmed the hedges, next he cleaned out the eave-gutters, then he swept the chimneys ...'

'Capital!' exclaimed Chapman, 'you couldn't spare him for a few days could you?' Chapman suppressed a laugh as Keats shook his head and sighed wearily. 'I do apologise, Keats. I really shouldn't make light of a situation which distresses you. But what exactly is the problem?'

'It's the noise, the disruption, the general discomfort while Mervyn's laudable works are in progress. You recall I had stacks of books in all the bedrooms? Of course, I had to empty one room for Mervyn's use and I relocated those books on the steps of the staircase. There was still space enough for one person to pass by, but Mervyn insisted on erecting wall-to-wall shelving in every room.'

'But that's splendid! Just think Keats: when all your existing books are stored away on the new shelving, you'll be able to use the free floor space to double the size of your library.'

'Of course, I realise all that', said Keats, waving his hand irritably, 'but while Mervyn was working on the shelves I had to endure three days of uninterrupted sawing, drilling and hammering. And then the smell of turpentine and paint assailed my nostrils for another few days. I haven't been able to write a line for more than a week now. This simply can't continue, but how can I tell Mervyn that he must go? The young fellow means well, after all, and I couldn't possibly explain it to his mother – a most formidable woman I assure you.'

'Surely the bookshelves are finished by now?' asked Chapman.

'Oh yes indeed. The shelves are finished. But then he announced that all the electrical wiring in the house needed to be replaced. At present he is working on the front door and the windows. They were varnished as you may recall, but Mervyn assures me that this is most improper for external surfaces. For the last couple of days I could hear nothing from dawn to dusk but the infernal scratching of sandpaper. I had hoped for some respite when he began painting this morning, but he insists that all the doors and windows should be left open until the paint dries and there is a veritable gale blowing through the house. The very papers on my desk ...'

'What colour of paint is he using?' interrupted Chapman, a note of excitement entering his voice.

'It's a mahogany colour, the same as he used for the bookshelves. Why do you ask?'

A smile spread across Chapman's features and he slapped the palm of his hand against his knee in a gesture of triumph. 'Then you have him Keats – young Mervyn has played right into your hands!'

'I'm afraid I don't follow you' replied the poet in a baffled tone.

'When you return home today' said Chapman, 'you must tell your nephew, politely but firmly, that he is never to darken the door of your house again'.

07 Bealtaine 2010

Erse verse 2

Ná gabh go réidh


Ná gabh go réidh fá choim chaomh na hoíche,
Ba chóir don aois bheith fíochmhar ar deireadh;
Lig racht borb i gcoinne éag na drithle.

Cé léir don saoi nach bhfuil dul ón oidhe
Bíonn aistí gaoise fós le ríomh aige;
Ná gabh go réidh fá choim chaomh na hoíche.

Caitheann an fíréan a shaol sa deireadh
ag caoineadh na deise ar chúb sé uaithi;
Lig racht borb i gcoinne éag na drithle.

An réice a bhain sult as taitneamh na gréine
Tuigtear dó, ró-mhall, gur theith an óige;
Ná gabh go réidh fá choim chaomh na hoíche.

An fear stuama ar bhruach na huaighe,
Tapóidh sé gach uain le haghaidh suáilce;
Lig racht borb i gcoinne éag na drithle.

Tusa, a athair, ar leac na síoraíochta,
Caith mionn agus mallacht orm go fíochta.
Ná gabh go réidh fá choim chaomh na hoíche.
Lig racht borb i gcoinne éag na drithle.

[After the Ingweonic of Dylan Thomas.]